Color contrasts

The only two colors for him that have the ell contrast in light and dark are black and white, and on one painting we ca n have just one pure white and just pure black, and all others are shades of grey as he as yes which depends on the viewers eye, and how he feels the painting, contrast, and cool between. As we are talking about the grey, it is very important for shading, be cause it is independent, but that second when u add color to it, grey loses it and it is be coming something else.

It can be made from different colors, the most usual that eve Uses is mixing black and white and coordinating the intensity of the grey, but e can also use yellow, blue, red, white, or any other complementary colors. Gray in any color is taken in 12 steps, in middle we have “the color” and on the first an d last step we have white or black, and till the end we are shrinking the amount of the co lour, so it would end with white and black. Beside painting there is some more technique sees of lighthearted, such as wood cutting, or in China or Japan it is writing. 3 Kikuyu to Shin Hang , Xix 2.

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Cold-Warm The colors that we divide on cold and on warm have been tested on animals, f example on horses that was divided in two groups one was placed in room co led color (blue), and other was placed in room with warm color (red), and the effect WA s different, the cold color was calming down the animals, and warm one was keeping the m running and moving. So there we have the warmest colors that are orange and red, an d coldest that are green and blue, but we have violet that if we can place with yellow or red and it will be warm color, and on the other hand we can put it with green than it wow old be cold color.

Mix of warm cold color is used to make very pictorial effect in some pap nettings, like in landscape (the position of objects) , when something is closer than it is war mere, and when it is further than it is colder. 4 When something is saturated the center where it is not is clearly visible, but t he ends are coming in grey losing color, like some of the exercises for it , placing 25 sq Ares with color in center, and neutral grey in the ends and then mixing them step by step. Mostly in the Center with no saturation are intense colors like red is 5 Henry Matisse.