Michel Gondry

TV ” “advertisement to promote Motorola Razor. The result is a one–minute of bizarre advertisement, which wows a girl’ surreal Journey and experience with her new phone. To create the surreal Journey in the advertisement, Michel Condor uses several large arrays of in– camera and post–production ” “effects to create a surreal world of environment.

Michel Condor creates these ” “with matte shots and model shots. Both are techniques that were originally” “used by Georges Mêlées, “use of this technique can be seen in El Portrait mostГ©irritate Mysterious Portrait (1889)” (Ezra,2000). “The two techniques have their own function and method.

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“Model” “shots, or miniature reproductions of outdoor locations” (Ezra,2000). While matte shot is usually used to create unachievable film set or sometimes to reduce cost in creating the actual set. Matte shot works by replicating the background set in filming. ” “In his Motorola advertisement Michel Condor use the technique to” “replicate city scenery and other rooms. Although the technique was originally comes from Mêlées, Mêlées matte shot technique are quite different from Condor or today’s technique.

Mêlées matte shot “is a technique taken from still photography, in which part of the camera lens is covered so as to produce a blank spot; the film is then rewound and exposed again to record he image to be superimposed, but this time with everything blocked out except the” “area that had been covered before. ” (Ezra, 2000, p. 30). ” “Today’s alongside with technology development in camera and” “filming, the use front of camera with a green screen backdrop. Later on in the postposition stage, the green screen are substituted with the wanted background or painting.In the advertisement Michel Condor use it in the scene when the girls step to the colliding building.

The three that grows from the window are later added on post–production stage. ” “Others matte shot technique in the advertisement is using an actual” backdrop; it can be a set or painting. This backdrop acts as the background whilst the actress acts in front of it. This matte shot technique are categorize as in–camera effect. ” “Busby Berkeley was one of the greatest choreographers of US movie” “musical and one of Broadways top directors.He was known by using surrealistic dance numbers in his works. The overhead shot of this surrealistic dance number was his artistic style, a style that Michel Condor seems to adapt and use for his own works.

” “One of Condors works that adapting the style of Busby is the music” “video of Mad World by Gary Jules. Michel Condor has used clever staging and well– choreographed dances to produce a very simplistic style music video. The music video involves a lot of dancers to create some sort of moving imagery for story telling purpose.The way which the whole clip is filmed from above to see all the shapes being produced and how the choreography is all well thought out and orchestrated is genius. He uses minimal camera effect and focuses on the dancers as the main structure of the clip.

He also pans around the area occasionally to break up the clip, showing the street corner and other people passing by. “While in Daft Punks Around The World music videos, Michel Condor” “shot a group of dancers dancing around in stairs. The dancers are divided into groups and each group wears different costume.Each one of the dancer groups represents the sound of instrument from the music.

The robot plays” “the bass, the athlete’s plays the string and so on. ” “(Daft Punks Around The World music video by Michel Condor. Retrieved” “from: http://loftiness.

Wordless. Com/2007/07/13/Busby–Berkeley–” “heir/)” “(Busby Berkeley – 42nd Street. Retrieved from:” “http://loftiness. Wordless. Mom/2007/07/13/Busby–Berkeley–heir/)” “Camera staging, choreography and dance number in both of these” “music videos are similar to Busby Berkeley work.

Busby Berkeley has been using the same camera staging for his work with Artier Shaw. Busby shot a dance number from above, the same angle that Michel use for Gary Jules music videos. The dance number dancing around and create an imagery effect of a moving kaleidoscope.

The differences is in Michel works the videos had no cut and the camera simply panned away from the dancers to” “create another scene, while in his works Busby dissolve cut the kaleidoscope” choreograph to create transition to new scene.Because of the panning use, Michel works feels like it naturally flowing along with the melody of the music. ” “Busby Berkeley also works with stairs and group of dancers in his” “video. He shot the dance numbers in the stairs spinning around following the music melody.

This is the basic concept of Michel Condors Daft Punk music video. However in his music video, Michel takes the concept further by integrating the dancers move and instrument. He also put the entire” “dance number to be filmed in meditative long takes and slow racking shots. It creates additional effect of surreal movement.

The effect is hypnotic and oddly reminiscent of Kickback’s cinematography, even as the dance number” “In some of Michel Condor works mentioned above, despite the” “differences of the era we can see similarity from Michel Condor works compared to Ego Mêlées or Busby Berkeley. It’s not some coincidence that Busby and George works are similar to Michel, it is clear that both George Mêlées and Busby Berkeley inspired him, either it is choreography, camera staging or camera effects. In one of his interview Condor dated that “l always try and avoid influences, I don’t know how you can call it.