Scientific study religion in society

Explain how this course is an example of the scientific study religion in society. This course can be seen as an example of a scientific study of religion due to the fact that throughout this course we have examined the study of religion as social scientists examining different aspects of culture value and beliefs. The critical analysis of different religions within society is an objective scientific study that provides insight onto other cultures globally. 2.

Apply Chastised theory that pop culture can do the work of religion (from the “Church of Baseball” chapter) and explain how we could theorize a Church of the phone” using specific examples. Chastiser’s theory that popular culture can do the work of religion can be applied to many things consumed in society such as his example of “church Of baseball”. One example of this could be the idea of ‘the church of phone. As Chastiser’s stated in his essay, baseball presents a sense of uniformity.

This can also be applied to the church of phone as many people may view their technology as being a part of a larger community of phone users who can use their APS and social networking sites within their phone to communicate. 3. After reading Deborah Roots article, do you think Root would consider Grey Owl the kind of “white Indian” that reproduces a colonial problem? After reading Deborah Roots article I believe that she would consider Grey Owl as a kind of “White Indian” that reproduces a colonial problem.

She perhaps would consider Grey Owl as a “want-be” and not as a true native. She believes that the white Indian have a sense of authority that allows them to believe that they have a right to be a part of a community they do not belong to. 4. Choose a recent film not covered in our course and briefly describe how it its into the Monthly. A recent film that fits into the Monthly could be Finding Memo. This could be seen as a Monthly journey as Memo’s father departs on a journey with a goofy sidekick to search for his son who has gone missing.

The film ends with the return of Memo to his family. This is a classic hero story with a ;sit of animation and Disney. The basis of this plot can be concluded as Monthly. 5. How can the Tales of Durra be thought of as an example of the Dissatisfaction of religion? The tales of Durra can be thought of as an example of the Dissatisfaction of religion as there is a topic of controversy rounding these comics concerning the altering of religious characters in order to sell more comics.

This can be seen as Dissatisfaction as the altering Of a religious/cultural character to promote more and sell more copies as it reduces the religious aspect of these characters. Turning religious characters into merchandise is a clear example of Dissatisfaction. 6. According to Rainbows how did the popular music industry challenge traditional evangelical values? According to Rainbows, the popular music industry challenged the traditional evangelical values due to the consumerism ND popular marketing methods.

He believes that the utilization of popular music to evangelize and promote Christian music was used in contemporary Christian pop music. As the popular music industry shares and promotes ideas, Christian musicians tend to use this as a method to convert and “share the good news of religion”. 7. Explain how Star Wars is an example of Forbes and Man’s 4th category. Star Wars is an example of Forbes and Man’s 4th category of religion and pop culture in dialogue as the director George Lucas wanted to utilize a popular culture platform to promote and show religion to his audience.

He did so as through this movie he promoted ethical concerns such as selflessness and the difference between good and evil. These aspects Of the movie allow viewers to be entranced in a world of religion while watching an iconic piece of popular culture. 8. Using the example of hockey as Canadian civil religion, what religious or quasi-religious beliefs, myths, symbols and ceremonies unite Canadians and mobile them in the pursuit of common goals? For many Canadians, hockey is more than just a sport; it is a way of life.

One main ceremony that unites Canadians and mobiles them in pursuit of moon goals could be the Olympic hockey games. This is a time where Canadians gather and cheer for our country to win gold. Although many Canadians have different views on the best NIL team, one thing most Canadians can agree on is the support of the Canadian Hockey Team. 9. Deep Meta is critical of popular culture that represents India as either a begging bowl or spiritual wonderland, yet some critics have said that she does the same thing in her films.

From what you know of her films, in what ways could Meta be seen as guilty of representing only a begging bowl or spiritual wonderland version of India? Deep Meat’s films show India the way she believes depicts the true India, and not the India that westerners believe is a begging bowl or a spiritual wonderland. Although she attempts to create films that do not show India for those two conceptions, in her films it is clear that these conceptions are somewhat relevant in India.

Although her films show these aspects, she does not dwell on them as negatives or conclude that this is all India has to offer, as some films that are westernizes tend to do. 10. According to our course, how can mega-churches be theorized as both authentic and inauthentic religion? Mega churches can be theorized as inauthentic religion as many people believe that by commingling the religion it devalues the meaning behind that religion. On the contrary, it can be seen as an authentic religion as people believe that as churches change to fit their people and their beliefs.

These people could be seen as a religion as people have the choice to believe in whatever they choose leading people. Part B Both John Lennox and Sarah Macdonald are artistic creators that have exposed and expressed their feelings on the spiritual and cultural meaning India has on their lives. Whether it is conveyed through writing such as Sarah McDonald’s Holy Cow, Or conveyed through music such as the musical legend John Lennox, both these artists have depicted their ideas on this country and the religion that it brings through their own medium.

According to Edward Said, orientation is a projection of western ideas and concepts onto non-western cultures, in which implies an unequal power relationship in which the west acts superior to the non-western countries. Many scholars question the orientation that is present throughout mainstream media in days society. When discussing Sarah McDonald’s Holy Cow and John Lemon’s music it is clear that they are orientations as they utilize Indian culture as a mode of production, and compare their western ideas throughout heir messages. In mainstream media India is often represented in two ways according to Deep Meta.

She argues that the media shows India as either a begging bowl or as a spiritual nirvana. In the 1 ass’s, the time of John Lennox and The Battles, India was seen a land of gurus and mystic ancient wisdom that had the power to liberate hippies from western values. John Lennox conveyed his message of In 1 9605 Britain and America, a mystical Orientals view of India held sway: India was seen as a land of drippy gurus holding secret, ancient, psychedelic wisdom that could liberate the young hippie from the system of stuffy, bourgeois Western values.

There was Of course no ethnographic basis to this view – Indian philosophers, intellectuals, and musicians in the West resented the association with drugs – but mystical India was a powerful symbol nevertheless. The Battles; “Tomorrow Never Knows” was one of the earliest ND most potent manifestations of what will call “psychedelic orientation” within rock music.

A close look at this song, and others like it from the Battles] middle period, will reveal some of the functions of this construction, as well as some of the motivations behind it. Studying the Battles music in a historical and cultural context will uncover certain dynamics of power, themes of appropriation and cultural hegemony. These songs were written by young musicians who came of age during the last days of the British Empire, and in writing them they were enacting a musical relationship with their former loony.

A close analytical look at the unique stylistic divergences of these songs, understood through Timothy Leary]s manual The Psychedelic Experience and Rave Shank]s tutelage of George Harrison, as well as through sociological perspectives on the drug- induced experience, will reveal the role that Indian musical elements (and the ancient Oriental wisdom they reportedly represented) were made to play. Finally, the perspectives of postcolonial criticism will show how that role given to India was a subordinate one, built upon an attitude Of power that characterized the Empire.